What are the best dslr for timelapse? Whether you’re just beginning to explore the art of time-lapse photography or you are a seasoned professional looking to make a commitment, you’re likely asking yourself the same question; what is the best time-lapse-friendly camera I can buy for the money? We’ve got you covered. Below, we’ll take a look at some of the best beginner and advanced camera bodies you can buy for this style of photography, ranking each of them in terms of their features, quality, flexibility, and price. Before that, though, let’s briefly zero in on what to look for in a time-lapse-capable camera system.
What To Look For In a Time-Lapse dslr
In general, when searching for a time-lapse camera, the main features to focus on are the ability to capture high-resolution images in RAW format, low-light performance, and lens selection. Of course, there are various types of time-lapse photography out there, and what you need will depend on what you’re looking to accomplish. For instance, if you’re set on shooting astrophotography time-lapses of the night sky, you’ll need to really invest in a camera that produces incredible images in almost complete darkness.
Best Dslr For Timelapse
That said, if you’re only interested in shooting traffic time-lapses on the streets of New York, this obviously isn’t as much of a concern. Regardless of what you’re looking to do, you’ll also need some basic gear, like a tripod, a high-capacity SD card or two, and an intervalometer. For a more detailed breakdown of the gear essentials, you’ll need, check out our beginner’s guide to time-lapse photography.
Best Beginner Time-Lapse dslr
If you’re just starting out, the world of time-lapse photography can often feel a bit overwhelming. With so many different options out there to choose from, it can make your head spin, but don’t worry. The truth is, even your iPhone or Android can be a fantastic camera to start with, so don’t overthink this too much. That said, here are our picks for the best beginner time-lapse camera bodies in 2018:
The Nikon d5300 represents the upper end of the manufacturer’s entry-level DSLR systems, and they pack quite a large amount of features into a very affordable price tag. The 24.2 megapixel CMOS sensor is capable of capturing beautiful, high-resolution images, despite it not being a full-frame body (full-frame meaning roughly equivalent to a 35mm film camera). Features like built-in WIFI and an extra-large swivel LCD display make it an ideal platform to launch your time-lapse endeavors.
Canon EOS 800D
Like the Nikon D5300, the 800D features a 24.2 megapixel CMOS image sensor and built-in WIFI, but it also includes a native time-lapse mode, making it one of the easiest camera systems to get started with right out of the box. It doesn’t hurt that using the camera is an absolute joy, as Canon really knows how to cater to the beginner market at this point with intuitive control systems.
Sony has long been an underdog when it comes to dedicated mirrorless and DSLR cameras, but all that has changed over the last few years. The company’s a-Series of mirrorless bodies has exploded in popularity, mainly due to their uncompromising performance stuffed into tiny, compact shells. At 24 megapixels, it holds its own against the two larger bodies above, and features built-in WIFI and Bluetooth as well. If you’re looking to get something small and light enough for frequent travel, Sony might be for you.
Best Advanced Time-Lapse dslr
If you’re ready to step up to the big leagues, these camera’s will get you there. Featuring some of the absolute best image quality in the consumer industry, each of these DSLR and mirrorless systems has proven to be well worth the cost of entry.
Sony a7R III
Featuring a massive 42.4-megapixel full-frame sensor and up to 10 frames per second shooting speeds, the Sony a7riii is an absolute powerhouse, regardless of what type of photography you are looking to do. With a massive lens selection to choose from (when using several first-party adaptors), this is truly a platform worth investing in if you’re looking for the best of the best in the palm of your hand.
Canon 5D Mk III
Canon’s 5D series of full-frame camera bodies have long been considered to be the workhorses of the professional photography industry. With years of field-tested experience to draw on the new Mkiii version of this storied system is the most elegant and powerful solution yet, featuring a 22.3 megapixel sensor, 6 frames per second shooting, and an ISO range that expands up to 102,800.
The Nikon d850 is a feat of modern engineering. It includes 45.7 megapixels worth of stunning image-capturing potential, 9 FPS continuous shooting, and in an in-camera time-lapse system capable of shooting natively in 4K resolutions. Need we say more? This thing comes at a pretty penny, but if you’re looking to craft some of the sharpest, cleanest time-lapse videos out there, it may be worth the steep asking price.
Bonus: Best Night Sky Time-lapse dslr
If you’re really wanting to zero in on the best dslr for shooting in low-light, we’ve got you covered.
When it first debuted, the original Sony a7s wowed consumers and critics alike with its almost paranormal ability to see in the dark. Now, the a7sii is outdoing itself once again, providing a stunning ISO range of up to 4,096,004 (4 million!). The 12.2 megapixel sensor uses a smaller amount of larger-sized pixels to help reduce noise, and in our experience, very few cameras at its price range can match the a7sii’s capabilities when the light is low.
The Nikon D5 is the most expensive camera on this list by a healthy margin. We only included it here because it is probably the best-performing consumer low-light camera in the world, currently. No other camera system has the sensitivity that this behemoth has, featuring an ISO range of 50-3280000, a 20.8 megapixel FX sensor, and 12 FPS continuous shooting. If you want to go all-out and get one of the best DSLR systems money can be, here it is.
Lastly, we didn’t want to exclude budget shoppers looking for some serious low-light performance, and apparently, neither did Nikon. Despite its modest asking price, the D7200 was designed from the ground up with low-light performance in mind, featuring a maximum ISO of 102,400. That’s higher than any other crop sensor camera on the market, and though it won’t be able to compete with the gargantuan D5, it is also a fraction of the cost.
So there you have it. Any one of the cameras on this list should be capable of taking mind-blowing time-lapse photos, regardless of the price. The truth is, almost any camera will do. So the only question left becomes a simple one; what are you waiting for?
How to Buy a Digital Camera
1. Determine what you need
A mistake I see some digital camera buyers making is that they get sucked into buying cameras that are beyond what they really need. Some questions to ask yourself before you go shopping:
- What do you need the camera for?
- What type of photography will you be doing? (portraits, landscapes, macro, sports)
- What conditions will you be largely photographing in? (indoors, outdoors, low light, bright light)
- Will you largely stay in auto mode or do you want to learn the art of photography?
- What experience level do you have with cameras?
- What type of features are you looking for? (long zoom, image stabilization, large LCD display etc)
- How important is size and portability to you?
- What is your budget?
Ask yourself these questions before you go to buy a camera and you’ll be in a much better position to make a decision when you see what’s on offer. You’ll probably find the sales person asks you this question anyway – so to have thought about it before hand will help them help you get the right digital camera.https://da360a56a245c0803c5da779cd8113ff.safeframe.googlesyndication.com/safeframe/1-0-37/html/container.html
2. Megapixels are NOT everything
One of the features that you’ll see used to sell digital cameras is how many megapixels a digital camera has.
When I first got into digital photography, a few years back, the megapixel rating of cameras was actually quite important as most cameras were at the lower end of today’s modern day range and even a 1 megapixel increase was significant.
These days, with most new cameras coming out with at least 5 megapixels, it isn’t so crucial. In fact at the upper end of the range it can actually be a disadvantage to have images that are so large that they take up enormous amounts of space on memory cards and computers.
One of the main questions to ask when it comes to megapixels is ‘Will you be printing shots’? If so – how large will you be going with them? If you’re only printing images at a normal size then anything over 4 or so megapixels will be fine. If you’re going to start blowing your images up you might want to pay the extra money for something at the upper end of what’s on offer today.
3. Keep in mind the ‘extras’
Keep in mind as you look at cameras that the price quoted may not be the final outlay that you need to make as there are a variety of other extras that you might want (or need) to fork out for including:
- Camera Case
- Memory Cards
- Spare Batteries/Recharger
- Lenses (if you are getting a DSLR)
- Filters (and other lens attachments)
- External Flashes
Some retailers will bundle such extras with cameras or will at least give a discount when buying more than one item at once. Keep in mind though that what they offer in bundles might not meet you needs. For example it’s common to get a 16 or 32 megabyte memory card with cameras – however these days you’ll probably want something at least of 500 megabytes (if not a gigabyte or two).
4. Do you already own any potentially compatible gear?
Talking of extra gear – one way to save yourself some cash is if you have accessories from previous digital cameras that are compatible with your new one.
For example memory cards, batteries, lenses (remember that many film camera lenses are actually compatible with digital SLRs from the same manufacturers), flashes, filters etc.
5. DSLR or Point and Shoot?
While digital SLRs are getting more affordable they are not for everyone. Keep in mind that they are usually bigger, heavier, harder to keep clean (if you’re changing lenses) and can be more complicated to operate than point and shoot. Of course there are some upsides also.
If you’re trying to make a decision between a point and shoot and DSLR you might want to read my previous posts titled Should you buy a DSLR or a Point and Shoot Digital Camera? and it’s companion piece How to Choose a DSLR.
6. Optical Zooms are King
Not all ‘zooms’ are created equal.
When you’re looking at different models of digital cameras you’ll often hear their zooms talked about in two ways. Firstly there’s the ‘optical zoom’ and then there’s the ‘digital zoom’.
I would highly recommend that you only take into consideration the ‘optical zoom’ when making a decision about which camera to buy. Digital zooms simply enlarge the pixels in your shot which does make your subject look bigger, but it also makes it look more pixelated and your picture ‘noisier’ (like when you go up close to your TV).
If you’re looking for a zoom lens make sure it’s an optical zoom (most modern cameras have them of at least 3x in length – ie they’ll make your subject three times as big – with an increasing array of ‘super zooms’ coming onto the market at up to 12x Optical Zoom).
7. Read reviews
Before buying a digital camera take the time to do a little research. Don’t JUST rely upon the advice of the helpful sales person (who may or may not know anything about cameras and who may or may not have sales incentives for the camera they are recommending).
Read some reviews in digital camera magazines or online to help you narrow down the field. There are some great websites around that give expert and user reviews on virtually every camera on the market – use this wonderful and free resource.
A little self promotion here – one such site is my Digital Photography Blog which is a site that collates the reviews of many sites from around the web. To use it best enter the camera’s model name that you’re looking for a review on in the search feature in the top right side bar. It’ll give you a link to a central page that has information on the camera as well as links to any reviews published online on that camera from around the web.
8. Hands On Experience
Once you’ve narrowed down your search to a handful of cameras head into your local digital camera shop and ask to see and play with them. There’s nothing like having the camera in your hands to work out whether it suits your needs.
When I shop for a camera I generally use the web to find reviews, then I head into a street in my city with 4 camera shops side by side and I go from shop to shop asking for recommendations and seeing the cameras live in the flash. In doing this I generally find the same camera or two are recommended in most shops and I get to see them demonstrated by different people (this gives a more well rounded demo). I also get to play with it and get a feel for which one I could see myself using.https://da360a56a245c0803c5da779cd8113ff.safeframe.googlesyndication.com/safeframe/1-0-37/html/container.html
After you’ve selected the right digital camera for you it’s time to find the best price.
Once again, I generally start online (on a site like our store) and do some searches to find the most competitive prices on the models I’m interested in. With these in hand I’m in a good position to be able to negotiate in person with local stores and/or with online stores. I generally find that retail stores will negotiate on price and will often throw in freebies. Online stores are more difficult – most bigger ones don’t give you the ability to negotiate but smaller ones often will if you email them.
Don’t forget to ask for free or discounted bonuses including camera cases, memory cards, extra batteries, filters, free prints, cases etc. I even know of a couple of stores that offer camera lessons that you can ask to be included. Some stores will also consider giving you a trade in on older gear.
I generally do negotiating from home on the phone and only go into a store to pick up the camera after a price is agreed upon.