best full frame camera under 1500

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Despite all the technological advances that can be found in shiny new cameras the Canon 6D is still a great camera cheapest full frame camera used,cheapest full frame camera price in india. And just because other cameras have advanced significantly since 2012 this does not automatically make the Canon 6D over the hill, past its sell by date, irrelevant or obsolete.

If you’re getting serious about photography and don’t mind spending a bit more money, you’ll find some amazing cameras in the $1000-1500 price range. These cameras have excellent sensors (some full-frame), advanced autofocus systems and 4K video capture. Expect plenty of direct controls and customizability and, in some cases, weather-sealed bodies.

The do-everything choice: Fujifilm X-T3

The X-T3 does just about everything very well. image quality is excellent, with a choice of attractive ‘Film Simulation’ color modes and detailed, flexible Raw files. Autofocus with most X-series lenses is snappy with effective focus tracking, eye-detection AF for portraits and zone focus modes that will adapt to a range of sports. This is on top of a well-respected interface which blends traditional dials with a good degree of customization.

The X-T3 does all this while also offering some of the best video we’ve encountered. It can shoot highly detailed 4K footage at up to 60p with the option for 10-bit capture for maximum grading leeway. Useable (though not flawless) video AF makes it comparatively easy to get good results, too. Only the lack of in-body stabilization counts against its go-everywhere, capture everything credentials.

Full-frame for stills shooters: Nikon Z5

The Nikon Z5 is an excellent value for those who want the improved dynamic range (and image quality as a whole) and additional control over depth of field of a full-frame camera. The Z5 is a well-built mirrorless camera with a 24MP sensor and in-body image stabilization. It offers a high resolution EVF, a tilting touchscreen and dual SD card slots.

Image quality is excellent, with pleasing JPEG colors, wide dynamic range, and very good high ISO performance. The Z5 is not a great choice for video shooters, however: it has a hefty crop in 4K and rolling shutter can be an issue. If video’s not your thing, though, the Z5 is an excellent choice for entering the full-frame world on the cheap.

While the X-T3 and Z5 are our top picks in this price category, the cameras below are also worth your consideration. Read on for a detailed look at their features and performance.

Fujifilm X-T3

Gold Award
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26MP APS-C X-Trans BSI-CMOS sensor | 4K/60p video capture | Dual-axis touchscreen

What we like:

  • Excellent Raw and JPEG output
  • Direct, customizable control
  • High quality 10-bit 4K video

What we don’t:

  • No subject tracking AF in video
  • F1.4 lenses can be slow to focus

The X-T3 is a high-end 26MP APS-C format mirrorless camera, which is capable of delivering high quality stills and 4K/60p video. The X-T3 features an ultra-high-res viewfinder, and it can shoot continuously at very high burst rates. Dual memory card slots are available for overflow or backup storage.The X-T3 offers a combination of traditional exposure dials, touchscreen and extensively customizable buttons. It results in a camera that can be quick and enjoyable to operate. Its rear touchscreen hinges in two directions allowing discreet stills shooting for both horizontal and vertical images. Its viewfinder has a higher-than-average resolution 3.69 million dots.Overall the X-T3 is offers one of the most compelling stills/video APS-C cameras on the marketAF performance is hugely improved, with eye-detection autofocus and tracking both reaching good (though not class-leading) levels of performance. The camera is fast to focus with most lenses and is generally quick to respond to user input. Battery life is a solid 390 shots/charge, though by default the camera will rapidly enter a low-power mode to conserve energy.The camera’s 26MP sensor captures a very good level of detail and offers a good degree of dynamic range. But, as usual for Fujifilm cameras, it’s the choice of ‘Film Simulation’ color modes in JPEG shooting that really stand out, making it easy to shoot attractive-looking images.The X-T3 can capture excellent 10-bit 4K video in both UHD and DCI, at up to 60p. A touchscreen control mode separates stills and video exposure settings, making it easy to switch between shooting types. Effective movie autofocus makes the X-T3 reasonably easy to use in this mode, but a lack of in-body stabilization may hamper handheld shooting if your lens isn’t stabilized.Overall, the X-T3 is one of the most compelling APS-C cameras on the market for stills and video. It’s impressive even if you only plan to shoot one or the other, but really excels if you want both. The lack of image stabilization is the main factor you might want to consider in what is otherwise a great all-rounder.

Nikon Z5

Gold Award
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24MP full-frame sensor | In-body image stabilization | 4K/30p video

What we like:

  • Excellent image quality
  • Superb build quality
  • Effective image stabilization

What we don’t:

  • 4K video has heavy crop
  • Heavy-handed high ISO noise reduction
  • Noticeable rolling shutter

The Nikon Z5 is among the most affordable entry-level full-framer cameras ever released. It sports a stabilized 24MP CMOS chip with on-sensor phase detect AF, packed inside a robust, best-in-class body.This camera is exceptionally well-built, offering a weather-resistant construction with two control dials, a tilting touchscreen, AF joystick, and a large, high-res EVF. It’s comfortable to hold, yet reasonably compact and light-weight. Menus will be familiar to Nikon DSLR users and customization options are ample.The Z5 is good for anyone seeking a well-priced, stills-oriented full-frame mirrorless cameraAutofocus performance is very good and just a hair behind the best-in-class. Face and eye detect both work with solid reliability, as does traditional AF subject tracking. Burst shooting speeds are typical for this class, but the buffer of 100 frames impresses. Battery life is acceptable at 470/390 shots per charge (LCD/EVF).The Z5 delivers excellent detail capture, very good high ISO performance and solid dynamic range. JPEG color is a crowd-pleaser, though we do recommend turning down the default noise reduction.4K video quality on the Z5 is lackluster, and a 1.7x crop makes it hard to get a truly wide-angle field-of-view. On the other hand, Full HD footage is un-cropped and decent-looking. And the body offers headphone and microphone sockets as well as in-camera IS for hand-held shooting.The Z5 is an extremely well-rounded, still-oriented camera and easily the most-capable mirrorless full-framer body for the money, as long as capturing 4K video is not a priority.

Canon EOS 7D Mark II

Silver Award
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20.2MP APS-C CMOS sensor | Dual Pixel AF | 1080/60p video

What we like:

  • Video AF is accurate and decisive
  • Great low light image quailty
  • 10 fps burst shooting

What we don’t:

  • No built-in Wi-Fi
  • Offers less dynamic range than competition
  • Subject tracking can be situation-specific

The EOS 7D Mark II offers a strong feature set that makes it a serious contender for both still photographers and video shooters. It inherits pro-level features (and build quality) from Canon’s flagship full-frame cameras, and offers them in a smaller-sensor body and at a lower price point.At the core of this high-end APS-C DSLR is a 20.2MP ‘Dual Pixel AF’ sensor and twin Digic 6 processors. It’s weather-sealed and features a 3″ LCD, large optical viewfinder, dual memory card slots and on-board GPS.The EOS 7D Mark II takes the strengths of its predecessor – highly capable autofocus and video – and builds on every aspect of themThrough-the-viewfinder AF is excellent, with the camera’s metering sensor helping the camera track subjects and also enabling rudimentary face detection. The AF system is remarkably good at maintaining focus on approaching or receding subjects, working reliably even at 10 fps. Subject tracking can be unreliable at following subjects around the frame, though, especially compared to its some of its peers. Live view AF is impressive, combining image sensor-based face detection and subject recognition with dual-pixel AF for fast, intelligent AF. Continuous focus in live view is unavailable for stills though – a shame given how effective dual-pixel AI Servo could be.Image quality from the EOS 7D Mark II is solid, with Canon’s traditionally pleasant JPEG color rendition. Sharpening is somewhat unsophisticated, sacrificing fine detail even at base ISO. JPEGs could strike a better balance between noise reduction and detail retention. Low light noise levels in Raw are quite good (though not class leading), but base ISO dynamic range suffers relative to more modern APS-C format sensors found in several of the 7D II’s competitors.In terms of video, the EOS 7D’s feature set is pretty strong. A maximum quality setting of 1080/60p and a choice of compression schemes is good to see, but the overall quality of the camera’s video footage doesn’t particularly stand out amongst its peers, some of which offer far sharper 4K footage. There’s no focus peaking to aid manual focus or zebra to guide exposure but the camera’s Dual Pixel AF means it can be made to re-focus while recording with almost perfect confidence. Only the lack of a touchscreen to re-position the AF point undermines this feature’s usefulness.The 7D II is Canon’s best APS-C camera, and while focus subject tracking and Raw dynamic range aren’t class-leading, the top-notch build quality, 10 fps shooting and class-leading video AF make for a compelling package.

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